电视剧神犬奇兵插曲

民国初年，集贤武馆主人平伯被日本高手谷岚所杀，其子铁娃（川原）入山投大舌头，并将家传「霹雳拳」秘籍交予凤妞（王金凤）保存。铁娃于山中与大舌头之女红蝴蝶（施思）相处甚得。时谷岚之子谷刚（南宫勋）自日本学成归来，悦凤妞美色，挑拨其夫大熊（佟林）与铁娃之误会，幸得凤妞调解，铁娃取得大熊谅解，取回秘籍，辞别还山。后大熊与谷刚决战不敌，死于暗算；凤妞为拒谷刚淫辱，以自杀保清白。铁娃与红蝴蝶得悉，下山为凤妞报仇，卒赖「霹雳拳」的威力，置谷刚于死地.。Herbert Vesely was one of the promises for a new German cinema already in the 50's, but after the 60's his star was already dimmed. He made a small number of films in the 70's and 80's, all non too good. This biography of Egon Schiele, one of the most important Austrian artists, is an example of the pretensions and emptiness of a Vesely-film of later date. The life of Schiele is presented here as a puzzle| well, Vesely thinks that Schiele's life was a puzzle: the core of the story is centered around the famous 1912 pornography trial and using this as base the film shows fragments of past and future. The problem is that it never becomes a unity and that the order of scenes and sequences seems to be at random: a cut-and-paste job that could have had any other result. Indeed, after seeing it twice I am almost convinced of it that a unsatisfactory linear thought-out film was changed into the puzzle in the editing room. Egon Schiele was an enigmatic man, but not a total puzzle, and this film does not bring him any closer. The films also fails in conveying the eroticism and meaning of the Schiele's paintings: the camera watches and glides over the models without any understanding of Schiele's intentions, we only see beautiful naked bodies. If interested in Schiele, you better buy a book with his works in stead.。