大唐荣耀在线观看

雾雪笼罩的怪异河岸。四处散落着钢精和水泥。一栋废弃的摩天大楼。平坦处仍未完工的公路桥。一座宏大的金属制的马的雕像。还有一座列宁的雕塑，他的右手伸展着指向空旷处。这是一个冰冷、僵化的无人之境，衰落的往昔在这里与想象中的未来接壤。人们漫无目的地穿过这个不真实的世界。原先确定无疑的事情不再令人确信，亲戚朋友都消失了，理想已经随风而散。萨莎从国外返回家乡，她死去的父亲曾经是这片建筑工地的主人，现在她继承了这笔遗产：一位正在寻找工友的吉尔吉斯斯坦工人；一位前额有块反着光的红色皮肤的建筑师；一位曾在莫斯科路障旁与叶利钦比肩站立的导游。他们中的一些人会莫名其妙地流鼻血。一位年轻的学生问道，“我们是谁？我是谁？一切都混乱无章。” 小阿列克谢•日耳曼用七个章节，将他祖国的精神面貌压缩成一部长叙述的象征性电影，一场流畅精心设计的人与摄影机之舞。。In this bitingly satirical film Peter Slovan, a continuous source of trouble for the film functionaries of the socialist Slovakia, tackles an evergreen topic – the corruptive effects of power. Barnabáš Kos, a triangle player at a symphonic orchestra, is suddenly promoted to serve as the head of the said institution, even though both he and his superiors deem him completely unfit for the task. Encouraged in equal parts by this unexpected recognition and the servile praise of his colleagues, Kos’s modesty starts to gradually vanish. The erstwhile bashful and aloof percussionist quickly becomes aware of the advantages of his new office, and begins to realise his increasingly ludicrous artistic ambitions. Ultimately, the submissive marionette turns into a source of public humiliation, and his astonishing career finds an abrupt end. Orchestra serves here as a microcosm that grotesquely reflects the absurd and tragicomic mechanisms of the paranoid apparatus of power. Digitised in 4K and restored in 2K, based on the 35mm camera negative, by the National Film Archive of the Slovak Film Institute. The original film elements are preserved by the National Film Archive of the Slovak Film Institute. Eva Näripe。