兰州晨报

Eburi is a 36 year-old man. Nothing enthuses him any more. While being drunk, he promises to contribute a story to a magazine. When he sobers down, he decides to write about the life of a salaried employee like himself who is very ordinary, not particularly talented. The following is his story: In 1949, Eburi gets married to Natsuko. His monthly salary is 8,000 yen and hers 4,000 yen. Therefore, both have to work to support themselves. Eburi has developed a habituIl tendency to pester around when he gets drunk. One year after their marriage, son Shosuke is born. In 1959, Eburi's mother dies in despair of her husband who has become listless due to the several ups and downs of gaining big profits and going bankrupt. His father is still alive and Eburi is enable to find a way to pay his father's debts. He is doubtful if he can make his wife and child happy. Nevertheless, he has somehow managed to survive so far, living in one of the houses at the employee housing quarters. He gives the title "The Elegant Life of Mr. Everyman" to his story of half novel and half essay style. When it is published, it receives the Naoki Literary Prize (the award given in memory of popular writer Naoki Sanjugo). At a party to celebrate his award, he gets drunk and pesters around. Notes The film is based on a novel written in the style of an essay under the same title by Yamaguchi Hitomi, depicting everyday life of a man categorized as "During-the-war Generation" who spent school days during the war and get married to start new life in the struggling post-war era. "Everyman" in the title means an average salaried employee who makes up an overwhelming majority of the city population in Japan, and "The Elegant Life" indicates sarcasm on betterment of the standard of living of ordinary salaried employees accompanied with Japan's economic growth after only a decade from the destroyed post-war period. As depicted in the film, the author Yamaguchi Hitomi was awarded the Naoki Literature Prize for this story. When he established himself well enough to become independent, he quit working as a salaried employee. Director Okamoto Kihachi and the leading actor Kobayashi Keiju belong to the same generation as the author. Exploiting innovative effects such as inserting animation sequences, the film humorously presents compassion of a middle-aged salaried employee. Kobayashi Keiju, who was originally noted for his excellent portrayal of salaried employee, won the best leading actor award of the Mainichi Film Contest for his superb performance in this picture.。香港退休医生林老先生自知将不久于人世，于是偷偷告诉养女小芳自己有一个宝藏，是慈禧太后留下来的宝物，八国联军入京之时遗失了，最终落在林医生老祖宗手上，希望小芳和一起拥这个宝藏的老友的孙子阿生一起找寻，林医生偷偷告诉小芳寻宝的地点，并交给了她一副字画，要她按照上面的指示找到宝藏。阿生是个花样美男似的大学生，他把这个当作是挖掘自己人生的第一桶金。知道这个秘密的还有一个风趣幽默的光头佬，他自吹是李小龙的师兄，打着回国相亲的旗子也来寻找这个宝藏。光头佬最想找一个武功高强且头脑简单的女人助自己一臂之力。教太极的“雪儿”吸引了他的注意，为了试探雪儿的底子，光头佬乔装打扮，屡次三番挑衅，惹得雪儿大打出手。。上世纪30年代，罗汉地功拳拳师李之信在“白色恐怖”的笼罩下，誓死保护中华武术拳种和人才，却没想到亲如大哥的舒坤被敌人利用，二人斗智斗勇，最终正义战胜邪恶。。