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The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。住在宾夕法尼亚矿区的旺达潦倒落魄。她偶尔工作，抛弃了丈夫和孩子，睡在她姐姐的沙发上，抽烟喝酒，然后和男人一起回家，只为了能有一个地方安身。一天晚上，她走进酒吧后发现丹尼斯有点紧张。她和他交往，确认他是个罪犯。丹尼斯正计划着抢劫。尽管他粗鲁无礼，旺达却欣然接受了他的虐待。。小白（徐欢饰）是一个标标准准的Loser，事业、感情、生活均是一团乱麻。郁闷之中，小白选择用酒精麻痹自己痛苦的神经，却在一场意外之中得到了一个诡异的眼罩，在戴上眼罩的一瞬间，小白来到了一个变装晚会的现场，遇见绝世美女向自己暗送秋波。 原来，这个眼罩拥有着储存记忆的神奇力量。眼罩的拥有者小胖（李红陶饰）声称只要小白不将眼罩的秘密公布于世，便可以享受眼罩带来的美妙环境。就这样，在现实中处处碰壁的小白，选择了躲进眼罩里虚幻但美好的世界之中。阿薇（赵婧伊饰）是小白的女友，自打小白得到了眼罩之后，他的变化她是看在眼里，急在心头。。